Makers' Stories

Do you want to discover the makers' stories behind the products? Read our Goldsmiths' Shop Talent blog. 

Fetching the forgotten: How Jo Boateng rediscovered her roots through jewellery-making

Posted by Rae Gellel on

Among the Akan people of Ghana, the concept of Sankofa means retrieving the lost parts of oneself for greater happiness, and wisdom in the present. For jewellery designer Jo Boateng, Sankofa has meant rediscovering the colour and vibrancy of her native culture.

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Among the Akan people of Ghana, the concept of Sankofa means retrieving the lost parts of oneself for greater happiness, and wisdom in the present. For jewellery designer Jo Boateng, Sankofa has meant rediscovering the colour and vibrancy of her native culture.

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Inspired by the galaxy: EDXÚ tells the story of his new Iper collection

Posted by Rae Gellel on

A bespoke ring set with a striking yellow diamond became the catalyst for Edward Xú’s latest fine jewellery collection, Iper. The chinese-born maker, who began his career designing for luxury brands such as Solange Azagury-Patridge and Tateossian, playfully nicknamed the diamond Yellow Hyper-Giant HR5171, after the brightest star in the known universe. This set in motion an entire collection inspired by galaxies and stars, with the name Iper meaning Hyper in Italian, a subtle homage to the Italian client who commissioned the ring.

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A bespoke ring set with a striking yellow diamond became the catalyst for Edward Xú’s latest fine jewellery collection, Iper. The chinese-born maker, who began his career designing for luxury brands such as Solange Azagury-Patridge and Tateossian, playfully nicknamed the diamond Yellow Hyper-Giant HR5171, after the brightest star in the known universe. This set in motion an entire collection inspired by galaxies and stars, with the name Iper meaning Hyper in Italian, a subtle homage to the Italian client who commissioned the ring.

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From paper, beer cans to metal: Northern Irish maker Caitlin Murphy’s new XYZ jewellery and 3D sculpture collection

Posted by Rae Gellel on

In the final year of her studies at the Glasgow School of Art, Northern Irish maker Caitlin Murphy found herself confined to her student flat due to the Covid-19 pandemic, with no access to the university’s workshops. Proving that adversity is the mother of invention, Caitlin was compelled during this time to experiment with alternative materials.

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In the final year of her studies at the Glasgow School of Art, Northern Irish maker Caitlin Murphy found herself confined to her student flat due to the Covid-19 pandemic, with no access to the university’s workshops. Proving that adversity is the mother of invention, Caitlin was compelled during this time to experiment with alternative materials.

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A contemporary exploration of ancient design and jewellery with Cameron and Breen

Posted by Rae Gellel on

For Martin Cameron and Laura Breen, two halves of the Northern Irish jewellery-making duo Cameron and Breen, inspiration lies in ancient relics, castle ruins and stone carvings - representations of their country's richly complex history and culture.

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For Martin Cameron and Laura Breen, two halves of the Northern Irish jewellery-making duo Cameron and Breen, inspiration lies in ancient relics, castle ruins and stone carvings - representations of their country's richly complex history and culture.

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The beauty of Guernsey’s coastlines: silversmith Caius Bearder rippling Reflections in Silver collection

Posted by Rae Gellel on

Although silversmith Caius Bearder is currently artist in residence at the Glasgow School of Art, he retains an inseverable connection to his place of birth - the beautiful, rocky landscape of Guernsey, in the Channel Islands.

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Although silversmith Caius Bearder is currently artist in residence at the Glasgow School of Art, he retains an inseverable connection to his place of birth - the beautiful, rocky landscape of Guernsey, in the Channel Islands.

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